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Every project is scoped individually. Selected engagements have starting points.

Scope, runtime, research depth, visual complexity, deliverables, and review requirements determine what a project costs. Starting points tell you where an engagement begins — not what yours will cost.

Choose the right scope

Full production, specialist sequences or editing support.

Our human-directed studio uses assisted production workflows, with review stages and deliverables agreed upfront. Public starting points describe standard engagements; selected introductory and limited-scope offers are confirmed separately in a written quote.

For agencies, we can deliver an agreed film, edit or specialist visual sequence under your creative direction. You retain the client relationship; we define scope, reviews and handoff before starting. If you need an individual embedded in your team, tell us so we can establish whether our studio model fits.

Price depends on visual complexity, supplied footage or CAD, research, revision rounds, output formats and languages. We agree what is included before production; additional versions and changes are scoped separately.

Send a brief or describe your storyboard → No meeting is required to begin.

Send the brief, the device, the case, or the problem. Within one business day you'll have a producer's honest read on scope, timeline, and fit — and a written quote before anything is invoiced.

How engagements run

Signature Explainer

A single film, brief to master, with documented accuracy review.

Rapid

A readiness lane, available across verticals, for work that arrives production-ready.

Procedure Film

Long-form, multi-view procedural work on locked anatomical geometry.

Retainer

Ongoing production against a reusable visual canon.

The readiness lane

Work that arrives production-ready moves faster, in any vertical. These eight items decide it:

  1. A locked brief or case position
  2. Reference materials
  3. Approved script or narration direction
  4. Audience and deliverable list
  5. Target date
  6. A named subject-matter reviewer
  7. Brand assets, if the film carries them
  8. A single approver

If any item is missing, the project moves to the standard timeline — stated in the scope, honored on the calendar.